Inferno
Album: Frozen Score
Title
Inferno
Filename
IPMD052_16_Inferno_30s Underscore
Description
Submix: A grand and foreboding cinematic soundscape unfolds, driven by deep double basses, soaring string sections, French horns, and impactful orchestral percussion, while synth pads and piano weave a sacred yet dark and mysterious current, escalating into explosive tension ideal for confrontational war, action, and thriller trailers. 30sUndrsc, 98 BPM.
ComposerJulius Holtz
(GEMA) 100% [784457005]
PublisherImpressive Minds Edition
(GEMA) 100% [800447277]
ISRC
DEMS42618631
Era
2020s/Future
Released
July 1, 2026
BPM
98
Alternative versions
A grand and foreboding cinematic soundscape unfolds, driven by deep double basses, soaring string sections, French horns, and impactful orchestral percussion, while synth pads and piano weave a sacred yet dark and mysterious current, escalating into explosive tension ideal for confrontational war, action, and thriller trailers.
Alternate Version: A grand and foreboding cinematic soundscape unfolds, driven by deep double basses, soaring string sections, French horns, and impactful orchestral percussion, while synth pads and piano weave a sacred yet dark and mysterious current, escalating into explosive tension ideal for confrontational war, action, and thriller trailers. Alternate, 98 BPM.
Submix: A grand and foreboding cinematic soundscape unfolds, driven by deep double basses, soaring string sections, French horns, and impactful orchestral percussion, while synth pads and piano weave a sacred yet dark and mysterious current, escalating into explosive tension ideal for confrontational war, action, and thriller trailers. Underscore, 98 BPM.
Submix: A grand and foreboding cinematic soundscape unfolds, driven by deep double basses, soaring string sections, French horns, and impactful orchestral percussion, while synth pads and piano weave a sacred yet dark and mysterious current, escalating into explosive tension ideal for confrontational war, action, and thriller trailers. 30Sec, 98 BPM.
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